26
Jul
10

there comes a time in every woman’s life when you have to take stock of yourself and your friends, and determine: “we ain’t shit.”

My weekend in four parts—my adventures with the new housekeeper, the part where I almost unceremoniously murdered six children at the movie theater, my hairdresser’s engagement, and my wildly controversial and bad language-infused dinner with an old law school friend notwithstanding.

(sat) “Clara’s” and “Jenny’s” crib: Me and Michael arrive at Clara’s house.  Clara and Jenny have never been to Lux, and Michael (who hates Lux) is reluctantly accompanying us.  Clara pours herself another glass of wine and asks if we mind her playing Lenny Kravitz to set the mood before we leave. Michael and I laugh at her for two and a half minutes. This bitch wants to set the pre-Lux mood with Lenny Kravitz. She hasn’t ever heard a word I’ve ever said.

(sat) New York Avenue: Me, Michael, Clara, and Jenny are walking to the club. Me, Clara, and Jenny are in various states of undress. A man in a “big body Benz” rolls his window down and attempts to holler at one or all of us. He inquires as to our destination. Clara (for reasons which will continue to elude me) tells him “Lux.” Our suitor then desires to know why we’re “going to that raggely[sic] ass ghetto ass hot ass ignant[sic] ass club.” He was clearly a cut above the traditional Lux-goer; as evidenced by his common ass hood-holla that called to mind Sir Lancelot, and the many romantic variants of the Chivalric Code.

(sat) Lux: My beer choices are Heineken and Miller. I opt for the Heineken. I consider that the beverage’s secret ingredient might be warm Nazi piss compote.

(sat) Lux: A man who looks like Rick Ross tries to effectuate the waist-grab-pull-close maneuver. I spurn his advances. The only man who looks like Rick Ross that is allowed to touch me is Rick Ross.

(sat) Lux:  My linesister and I venture to the 3rd floor. My linesister motions to the VIP section which, in an unexpected twist, has a disproportionate amount of white women within. I consider first, that the women are birds; second, that there must be an NFL player hosting a party inside. I determine to refer to the women as pelicans. You know. On account of them being white birds.

(sat) Lux: My linesister and I are both dancing, one goon, a piece, when suddenly, she cries out, “OhmyGod!!! He’s hard!” I keep dancing with my goon. It’s not like I don’t hear her. I’m just, you know, dancing. She cries out, again, the same refrain, “OhmyGod!!! He’s hard!” I continue dancing with aforementioned goonificence. She then effectuates the super-secret Delta distress signal. Soror down! Soror down!!!! I immediately shove off the hobgoblin trying to impregnate me through my dress, rescue my linesister, forcefully separate her from wildanegrobeast, and push her through the crush of people to freedom. All of my love, peace, and happiness, girl. All of my love, peace and happiness.

(sat) Lux: Michael and I try to determine the thought process that inclined a fellow patron to don a large, wide, floppy brimmed white hat to the club. I suggest that the headpiece once belonged to Shug Avery. Michael disagrees, as the “suicide doors” of the hat’s brim are clearly an indicator of a more modern era.

(sat) somewhere on 6th St:  Me, Jenny, and a very drunk Clara are looking for my car. Clara, who has a beautiful voice, keeps singing, “I’m more than just a numberrrrrr, hey hey heyyyyy.” That’s it. Like, no more of the song at all. Just, “I’m more than just a numberrrrr, hey hey heyyyy.” Jenny and I don’t ask where the remainder of Drake’s song went. Four blocks later, Clara mercifully switches up—to some Marvin Sapp song. Which she sings—in its entirety. Clara then looks at me and says, happily, “God is good!” I wordlessly continue to walk arm in arm with her. She looks at me, meaningfully. “Fooler, I said, ‘God is good!’”  “I’m not going to do this with you,” I say. She stops walking. “Come onnnn, you know the rest. God is good!” I try to inch her forward. “I refuse to do this with you,” I say. Clara is unrelenting. “Fooler—come onnnnnn. God is good!” I sigh, dejectedly. My voice drops two whole disgusted octaves. “All the time.” My participation gives her life. “And all the time?!?!” I sigh, once more, and look out into the street. “God is good.” Clara walk/jigs/church steps the next half of a block. “Hallelujah!” she exclaims. I’d be wrong if I kick this broad in her knees right now.

(sun) Northeast: I tell Michael that I think that I want to have a baby. Michael looks out of his passenger window. We continue ten of the twelve minute ride in complete silence. This silence is interrupted when I inadvertently drive my car into oncoming traffic.

(sun) church, Northeast: The church is really hot. Michael doesn’t want to take off his jacket because he is wearing a short sleeved button down that he’d accidentally purchased thinking it was a long sleeved button down. When it gets too hot for Michael to bear, he whispers to me “If I take my jacket off do you think I’ll look crazy?” I look around at our fellow congregants. The woman directly in front of me has a courtesy-of-my-auntie’s-basement tattoo covering the whole of her chubby forearm. She has brought with her a “purse” that can best be described as a white, pleather piece of carry-on luggage. Three rows in front of us, I watch as the bald head of another parishioner catches a stream of light from a stained glass window. Her entire head is bald. Save her natural, Ed Grimley-style bang… that is blonde. Directly beside Michael is the most beautiful transsexual I have ever seen. She also has the biggest, loud-clapping man hands I’ve ever seen. I wonder why Michael deems it appropriate to disrupt my salvation with his ridiculous questions.

(sun) church, Northeast: The pastor talks to us about taking Christianity into worldly places. He tries to identify with the “young people” and inform us that it is all right to go into Busboys and Poems[sic] if it is for the purposes of evangelism. He tells us that it doesn’t matter if people are in Busboys and Poems[sic] drinking alcohol and looking cute and picking up people, because we shouldn’t be afraid to go into the streets to spread The Word. I spend much of this portion of his sermon considering that I’ve apparently been away from Busboys and Poets too long. My friends go there to eat mac ‘n cheese, attend Alice Walker book signings, and hear spoken word poetry. I woulda been in there way more if I’da known it was the Devil’s hideout for drankin and ho-in’. This absence is easily remedied. Good lookin’ out, Rev.

(sun) Michael’s b-day dinner, Dupont: On more than one occasion, I’ve forbidden our friend, “Monty,” to tell stories, as they are always ludicrous, and, as far as I’m concerned, complete fiction. As Monty’s stories tend to fold into other outrageous fables, I admonish fellow listeners not to make direct eye contact with him, so as not to encourage him, or enable his tomfuckery. Despite my warnings, my linesister disregards my instructions. Monty proceeds: “Did I tell y’all about the lady who went to go get a mammogram and then went missing? She did. My daddy called and asked me, ‘Did you hear about Ms. Mable? She went to go get a mammogram and then up and went missing.’ I think doctors should do better than that. If they can find you when they want you to pay your bills, they can find you when you got cancer. She been missing 6 weeks.” He then folds this story into: “Did I tell you about the woman who never loved her daughter? She never loved her. My mama told me once to take her a plate but to be careful of the chain when walking up the front porch cause she had a whole chain that wrapped around her house. But she never loved her daughter. She stayed in bed all day, never wearing anything but a robe and some baby powder. Yes she did. She never loved her daughter. Never loved her.  And she had cancer, too.  She died.  But not because of the cancer. Because she never left the bed. She sat there  all day eating Tostitos. That’s what killed her.”

(sun) Michael’s b-day dinner, Dupont: My linesister and our friend “Anna” get into a heated debate about Anna’s boss, who is up for re-election. I watch as Anna and my linesister give meaningful arguments, but note that Anna obviously isn’t aware that my linesister is just baiting her. I shake my head, as at the height of their dispute, my linesister, having exhausted all of her educated responses, concludes: “I don’t care. I hate him. I hope he doesn’t win,” like the child that she is. Anna is temporarily stunned. I want to laugh, but I can’t, cause what she said is fucked up. Man, it’s funny, though.

(sun) 14th and K: Me and Michael go to meet up with my friend, “Maya” and her visiting best friend, “Kara.” Maya and Kara are wearing the same dress. On purpose. Maya is fairer skinned and has curly baby hair. Kara is darker than Maya, but has similarly curly baby hair. Having made fast friends with the patrons, they are the toast of the all-white bar where they are seated. Maya tells me that people have asked them if they are twins all night. You know, cause they’re black with curly hair, and are dressed alike. Not that they’re two grown assed women acting like asses. Maya informs me that they’ve told all of the patrons at the bar that they are “fraternal cousins.” All of the patrons at the bar have accepted this explanation. I immediately cast-aside any previously-held reservations about home-schooling one’s children.

(sun) 14th and K: Maya introduces me to Jamie, whose wife has left him for a woman, and Cristina, a haggard looking drunk woman who looks exactly how Sheryl Crow will look when she’s 80…and strung out on heroin. Cristina says to me, “Tell Jamie about how it’s better that his wife left him for a woman, cause it’s not like he’s competing with a man.” I look at a visibly intoxicated Jamie, and begin, “Well, actually, I read last week that it’s actually worse when your spouse leaves you for a woman. Because it’s like she’s completely emasculating you. Like, there’s nothing you can do .” Cristina signals violently to me, and starts mouthing that I’m going in the opposite direction of what she’d hoped. I hurry to fix the situation. “Actually, Jamie, what it means is, that your dick was probably too big for her. She took one look at your huge dick and just couldn’t do it anymore. You ruined her for all men. “ Jamie, happier with my newer answer, lazily smiles, and appears placated.  I briefly consider giving him a little piece on account of his troubles. I quickly reconsider, given his scruffy demeanor and overall drunkyness. I still congratulate myself for contemplating letting him bury his sorrows in my little mocha mons. I’m constantly thinking about how I can be of service to others. I’m a giver like that.

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5 Responses to “there comes a time in every woman’s life when you have to take stock of yourself and your friends, and determine: “we ain’t shit.””


  1. 1 tee_tos
    July 26, 2010 at 6:37 pm

    i like how you convenientlyyyyy forgot to mention that the goon you were dancing so passionately and vigorously with had a mass of gray chest hairs sprouting from underneath his wife beater (which he wore as a shirt — with a button down shirt which served as a jacket) and that he got violently accosted by Lux security JUST as he was digging his dirty nails into your pelvic bone. i’m just sayin’. kin—da convenient how you just forgot all about that part. hmmm.

  2. 2 Jet Black
    July 26, 2010 at 6:56 pm

    Please don’t send these during work hours again. I couldn’t get halfway through it in fear of uncontrollably busting out laughing, alerting my office mate that I wasn’t really doing any work. Thanks in advance.

  3. July 28, 2010 at 12:58 pm

    For willingly subjecting yourself to Lux, you must be a masochist. Or maybe you’re an altruist for turning your suffering into our entertainment. Is it possible to be both?

  4. July 28, 2010 at 5:15 pm

    This is the last time I was at Lux:

    Why didn’t you come? Was the free food, free cover and free likka not enough?

    I’m insulted.

    • July 28, 2010 at 11:16 pm

      *sigh*

      1. this was dope.

      2. don’t act like you don’t understand why i go to lux every three months.

      3. don’t act like this clip is a representative of what lux really is. you don’t even play music rife with misogynistic undertones. when’s the last time someone on an afrobeat track called a woman a “raggedy ass bitch?” never happened. never. i go to get felt up on, and hear “trap” music. then i come home and cry myself to sleep.


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